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Ding-A-Ling

дата регистрации:24.12.2010
последнее действие:24.12.2010

Отзывы

оценка: 8 из 10
+0 | −1
The Guardian is an action-adventure drama film that is mainly dedicated to the United States Coast Guard. Andrew Davis directs the film and Trevor Rabin composes the score.

The score in this film is absolutely fabulous. The percussions and fast paced orchestra music really pushes the tone of the score, and the beautiful vocal also makes this score one of the most emotional scores ever composed by Trevor Rabin. This edition is a bootleg, and almost all the tracks heard from the movie can be heard in here. The only disappointment is that the "The Crash" and "The Fishing Boat" sequences were never heard in here. Those were one of the greatest moments of Rabin's score, and I was looking forward to those parts.

Overall, this score has its moments. But due to the loss of two great sequences of the film, this score ends up not being as good as it could have been, especially since this is a bootleg.
оценка: 9 из 10
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Спасатель The Guardian
всего: 12
The Guardian is an action-adventure drama film that is mainly in dedication to the United States Coast Guard. Andrew Davis directs the film and Trevor Rabin composes the score.

Music in this movie's score if fabulous. Loud percussions and fast orchestral music with a beautiful vocal voice, this is one of Trevor Rabin's most emotional scores ever composed. The soundtrack is overall pretty good. All of the songs are heard throughout the film, and the special credit is given to Bryan Adams for his song "Never Let Go", the theme of the movie. There is only one score track which is a suit of all the emotional themes of the film. The fast paced themes were never released in this edition, but released in a bootleg edition found about 3 and a half years later.

Overall, this soundtrack is pretty good. It would have gotten a 6/10. But because of a bootleg present, this soundtrack deserves an 8/10.
оценка: 7 из 10
+1 | −0
G-Force is a spy-fi comedy film about guinea pigs being FBI agents trying to stop someone from saving the world. Hoyt Yeatman comes to direct the project and the film's score is commposed by Trevor Rabin.

The film's score is once again noticeably scored with a Trevor Rabin vive to it. The score has its moments, Trevor Rabin fans will be quite pleased with this score. However, for the rest of the music listeners, this is Trevor Rabin and many of the themes will have close resemblance to his proceed composed scores.

This is a bootleg release, and overall, most people will be expecting a complete score of G-Force. However, only a handful of music was released, leaving out some great moments of the score from the film. But because no official release of the score was ever made. Much is forgiving. Music in here is overall, not the best, but satisfying to at least keep you listening to the end.
оценка: 7 из 10
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The Day After Tomorrow is a disaster thriller about Global Warming. Roland Emmerich comes to direct the film and Harald Kloser along Thomas Wander composes the film's score.

The Day After Tomorrow has some pretty epic music. Heavy percussions and loud brass instruments make the overall sound during suspenseful disaster sequences while the orchestra covers the more emotional and calm themes of the film. The soundtrack released sounds pretty good, with most of the great moments of the film being covered in the score.

This score is overall really good, and it fairs pretty well to a bootleg score that is released later that year. Although not the best, this is one of Harald Kloser's better scores composed.
оценка: 5 из 10
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2012 2012
всего: 11
2012 is a movie based on the 2012 phenomenon from the Mayans that the world will end on December 21, 2012. Roland Emmerich comes to direct the film and Harald Kloser composes the movie's score.

The score in the film sounds pretty good. The full orchestral sounds to the heavy percussions really add the emotion that an audience needs for a epic disaster movie. However, the soundtrack released is found to be pretty disappointing. With only 57 minutes of music and more than half of the tracks not being as compelling as the overall film score makes the listener lose the taste.

If there were more tracks released, the score would probably do better. But for those who are looking for epic film music, this score should be passed on.